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Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes
Horror films --- History and criticism. --- Marketing. --- Production and direction.
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A rare look at the role of special effects in creating fictional worlds and transmedia franchises From comic book universes crowded with soaring superheroes and shattering skyscrapers to cosmic empires set in far-off galaxies, today’s fantasy blockbusters depend on visual effects. Bringing science fiction from the studio to your screen, through film, television, or video games, these special effects power our entertainment industry. More Than Meets the Eye delves into the world of fantastic media franchises to trace the ways in which special effects over the last 50 years have become central not just to transmedia storytelling but to worldbuilding, performance, and genre in contemporary blockbuster entertainment. More Than Meets the Eye maps the ways in which special effects build consistent story worlds and transform genres while traveling from one media platform to the next. Examining high-profile franchises in which special effects have played a constitutive role such as Star Trek, Star Wars, The Matrix, and The Lord of the Rings, as well as more contemporary franchises like Pirates of the Caribbean and Harry Potter, Bob Rehak analyzes the ways in which production practices developed alongside the cultural work of industry professionals. By studying social and cultural factors such as fan interaction, this book provides a context for understanding just how much multiplatform storytelling has come to define these megahit franchises. More Than Meets the Eye explores the larger history of how physical and optical effects in postwar Hollywood laid the foundation for modern transmedia franchises and argues that special effects are not simply an adjunct to blockbuster filmmaking, but central agents of an entire mode of production.
Mass media. --- Blockbusters (Motion pictures) --- Motion pictures --- Cinematography --- Production and direction --- Special effects.
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This book shines unprecedented light on the activity of talent representatives and production professionals in the American and French film and television industries. Empirically grounded contributions show the crucial impact of such entertainment professionals on the making of artistic careers and cultural products.
Motion picture industry --- Theatrical agents --- Theatrical agencies --- Television broadcasting --- Motion pictures --- History --- Production and direction
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This reference guide includes advice on getting started as a producer, dealing with artists, record companies and lawyers, and managing a career in the music business. It also looks at new technologies and techniques.
Sound recordings --- Sound recording industry --- Disques --- Production and direction. --- Vocational guidance. --- Production et réalisation --- Sound recordings direction --- Sound recordings production --- Direction
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Business planning. --- Motion picture industry --- Motion pictures --- Business enterprises --- Business plans --- Corporate planning --- Corporate strategy --- Corporations --- Strategy, Corporate --- Planning --- Strategic planning --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Finance. --- Production and direction. --- Finance --- Production and direction --- Direction --- Business planning --- E-books
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Motion picture industry --- Motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Finance. --- Economic aspects. --- Production and direction. --- Finance --- Production and direction --- Direction --- Economic aspects --- E-books
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Video recordings --- Digital video --- Digital motion video --- PC video --- Video, Digital --- Computer graphics --- Digital media --- Image processing --- Multimedia systems --- Videorecordings --- Videos --- Audio-visual materials --- Production and direction --- Data processing --- Digital techniques --- Camtasia studio. --- E-books
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In The History of Music Production, Richard James Burgess draws on his experience as a producer, musician, and author. Beginning in 1860 with the first known recording of an acoustic sound and moving forward chronologically, Burgess charts the highs and lows of the industry throughout the decades and concludes with a discussion on the present state of music production. Throughout, he tells the story of the music producer as both artist and professional, including biographical sketches of key figures in the history of the industry, including Fred Gaisberg, Phil Spector, and Dr. Dre. Burgess arg
Sound recordings --- Music and technology. --- Sound --- Sound recording industry --- Enregistrements sonores --- Musique et technologie --- Son --- Disques --- History. --- Recording and reproducing --- Production and direction --- Histoire --- Enregistrement et reproduction --- Production et réalisation --- Industrie --- Music and technology --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Technology and music --- Technology --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- History --- Production and direction&delete& --- Recording and reproducing&delete& --- E-books
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Motion picture theaters --- Theater management --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Theater administration --- Management --- Theater --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- Management&delete& --- Vocational guidance --- Distribution&delete& --- History and criticism --- Production and direction --- E-books --- Distribution --- Theater management.
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An academic enquiry into the works of avant-garde filmmakers!
Motion picture producers and directors --- Motion pictures --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Production and direction --- History and criticism --- E-books
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